Underrated and Forgotten: Anand Ashram (1977)

I pushed back watching this Shakti Samanta movie for quite some time, expecting it to be one of those moralistic tales laced with melodrama and strung together by a few good songs. Another big reason for my lack of enthusiasm was that this movie, unlike most other Shakti Samanta movies of that time, does not star Rajesh Khanna, and instead features Uttam Kumar, an actor I am not particularly fond of. As it turned out, as I finally got around to watching it, I was somewhat right about my pre-conceived notions. But having said that, the movie pleasantly surprised me on many counts, and in fact turned out to be quite a good watch. Also, as the narrative unfolded and moved towards the climax, similarities between its story and that of big ticket Karan Johar magnum opus Kabhi Khushi Kabhi Gham became quite apparent, which were rather interesting to discern. The coincidence that Rakesh Roshan plays the role that would be parallel to what his son Hrithik Roshan performs in the modern day magnum opus, was what triggered the connection in my mind.

A young doctor marries his childhood companion without his father’s consent. The father, a rich and respected landlord with a legacy he is very proud of, is terribly disappointed by his son’s decision to marry a girl from a different religious background. The confrontation leads to the son abandoning his father’s house and giving up on all his inherited wealth. He, along with his wife, then proceeds to fulfil his life’s objective of providing medical services to the underprivileged villages, which lack healthcare infrastructure. A chance encounter with a wannabe do-gooder enables him to open a village dispensary, which he starts to run with his wife supporting him wholeheartedly. Then in a curious turn of fate, his allegiance to the oath of selfless service is put to test. He passes the test but suffers a great personal loss when he is unable to be at his wife’s side as she is delivering their first child. The story from there briskly changes character and soon takes a time leap. With the drama set, the next part is quite entertaining to watch.

Despite the serious theme, a feel-good factor is maintained throughout, thanks to the well defined characters essayed by Ashok Kumar, Utpal Dutt, and Asit Sen. In the second part of the movie the romance angle between Rakesh Roshan and Moushumi Chatterjee also lightens the proceedings. Towards the end, the culmination too is convincing and ties up the drama satisfactorily.

It would not be completely off the mark to say that the basic skeletal of Anand Ashram and K3G is alike. What is most different is the objective and treatment. While Anand Ashram has the theme of selfless service to humanity as its backbone, K3G has no such pretentions and was quite unequivocal in its fidelity to the candyfloss. As a result the characters in the older film are less caricaturish and have more shades to their personalities. And that is strength of Anand Ashram as a more ‘moving’ motion picture. The lead hero, Uttam Kumar, is not very convincing in the initial portions of the story where he plays the rebel lover lip-syncing to songs and romancing a stunning beauty like Sharmila Tagore. But in the later part of the movie he appears in a bearded look and is generally more assured. But Ashok Kumar as the ‘kabhi garam kabhi naram’ granddad (and dad) gives the most heart-warming performance from the lot.

Almost all the songs are nice and don’t really act as speed-breakers. ‘Sara pyaar tumhara’ and ‘Rahee naye naye’ and the most melodious and must have been quite popular in their time.


Parting Note: Anand Ashram has a good original story to tell in a breezy run-time. Also, the message it propagates is universal and quite relevant even in the current times.

Truly Yours

Piyush Dewan


PS: This post is a part of the series of posts by me on lesser talked about Hindi cinema.

  1. sputnik 11 years ago

    Had never heard of this movie.

    Back in 90s when I saw Amanush I thought why they did they choose this guy Uttam Kumar as the hero. Did not like him back then. He was ok in Kitaab but he had a smaller role.

    • Author
      dwnpiyush 11 years ago

      Uttam Kumar was a big name in Bengali cinema. Most of these movies had their Bengali versions as well. They might have wanted to keep the same cast in the Hindi adaptations.

      Haven’t seen Amanush, but yes in Kitaab he was quite okay, but like you said there he was a character artist. Even in Anand Ashram in the second half he is quite good in the bearded look- in some ways he becomes a character artist in this period while in the first half he was the main lead. For being a main lead who sings songs you need to have charisma- that might stem from looks/personality/acting style/mannerisms/energy.

      • sputnik 11 years ago


        Milind had posted this Satyajit Ray movie Nayak. I saw just a bit of it but liked Uttam Kumar here. Now that this post has reminded me of Nayak I will try to watch it soon.

        TFF – Regional Cinema – Nayak

        • Author
          dwnpiyush 11 years ago

          I have been quite stubborn about not watching cinema in a language I don’t understand, subtitles be damned. But I might run out of the Hindi/English lot one day, and then I might savor the Satyajit Ray’s of the world.

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