{"id":21285,"date":"2013-11-15T13:31:36","date_gmt":"2013-11-15T18:31:36","guid":{"rendered":"https:\/\/tanqeed.com\/forum\/?p=21285"},"modified":"2013-12-01T19:05:39","modified_gmt":"2013-12-02T00:05:39","slug":"ram-leela-movie-review-by-rajeev-masand","status":"publish","type":"post","link":"https:\/\/tanqeed.com\/ram-leela-movie-review-by-rajeev-masand\/","title":{"rendered":"Ram Leela Movie Review by Rajeev Masand"},"content":{"rendered":"

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\nRating:<\/strong> \"3.5\"<\/p>\n

November 15, 2013<\/p>\n

Cast:<\/strong> Ranveer Singh, Deepika Padukone, Supriya Pathak, Richa Chaddha, Gulshan Devaiah, Barkha Bisht, Abhimanyu Singh<\/p>\n

Director:<\/strong> Sanjay Leela Bhansali<\/p>\n

Cut off from the world, tucked away somewhere in Gujarat, a fictional small town named Ranjaar is a battleground of sorts for the eons-old enmity between the Rajadi and the Sanera mob clans. But even with guns blazing, beer bottles being shattered, and harsh words flying about in the air, Sanjay Leela Bhansali turns Ram Leela<\/i> into such a passionate celebration of love, you can\u2019t help be seduced by it.<\/p>\n

To be fair, Bhansali brings all his tropes to the table \u2013 unabashed melodrama, stunning visuals, elaborately choreographed dance numbers. Yet, it\u2019s the firecracker chemistry between his leads, and the genuine feeling he infuses into the film that separates Ram Leela<\/i> from previously disappointing outings, particularly Saawariya<\/i> and Guzaarish<\/i>, that were weighed down by shameless manipulation and pretentious, heavy-handed filmmaking.<\/p>\n

It\u2019s lust at first sight for Ram (Ranveer Singh) and Leela (Deepika Padukone) when they run into each other during a Holi celebration in Bhansali\u2019s adaptation of Shakespeare\u2019s Romeo & Juliet<\/i>. Perfectly matched \u2013 she just as fiery and brazen as him \u2013 the pair would rather make love, unlike their warring clans\u2026and they say this repeatedly while flirting boldly and stealing kisses in her balcony. But their romance is thwarted by bloody vendetta, forcing them to stay on the side of family instead of each other.<\/p>\n

In a refreshing change for a Bhansali film, Ram Leela<\/i> crackles with light humor, cheeky dialogues and sexual irreverence, and is never burdened by its inherently tragic premise like his Devdas<\/i> was. Borrowing a page out of Baz Luhrmann\u2019s book, Bhansali stages a dazzling light-and-sound show, capturing the ecstasy of first love, the thrill of clandestine meetings, and even the obsession of great rivalries. Despite its fictional setting, Ram Leela<\/i> has contemporary touches; the lovers are glued to their mobile phones, and in one scene Ram even requests that a \u2018selfie\u2019 he took be uploaded to Twitter.<\/p>\n

In his first collaboration with Barfi<\/i> cinematographer S Ravi Varman, Bhansali gives us indelible moving images\u2026from the breathtakingly filmed song sequences (including a raunchy item number featuring a toned Priyanka Chopra), to an artfully captured chase, and later, the riotous burst of color at a religious procession. Even as bullets are sprayed freely and much blood spilled, Bhansali mutes key violent scenes by taking the action off-screen, creating a much stronger impact. You\u2019ll never look at a betelnut crusher the same way again.<\/p>\n

The problem, predictably, with such melodrama is its excess. Ram Leela<\/i> is bloated in length and so it bears down on you and tests your patience in the second half. Some scenes come off trite, like one where a cop is easily bribed by a stack of porn DVDs, or when a little boy melts the cold-hearted don Dhankor (Supriya Pathak), who seemed hardly affected by her own daughter\u2019s heartbreak.<\/p>\n

It\u2019s impossible, however, not to be taken in by Pathak\u2019s menacing eyes and her threatening demeanor. When her son-in-law-to-be enquires about the family business, she replies coolly: \u201cShooting, smuggling, killing\u201d, before putting a gun in his hands and declaring \u201cWelcome to the family.\u201d A terrific Richa Chaddha, as Leela\u2019s empathetic sister-in-law, is that rare supporting character that doesn\u2019t come off as one-dimensional, and Barkha Bisht gives a quietly dignified performance as Ram\u2019s bhabhi. Gulshan Devaiah, meanwhile, is reduced to a stock villain despite his earnest acting.<\/p>\n

It\u2019s Bhansali\u2019s leads, expectedly, who steal the show. The gorgeous Deepika Padukone uses her eyes expressively, both in her feisty banter with Ram, as well as in the tragic portions later when she must assert her position with her family and clan. As if powered by an inner fire, she brings raw energy to Leela\u2019s every scene. The film belongs as much to Ram, and Ranveer Singh struts confidently, much like the peacock in the balcony that he pretends to be. The actor goes full-throttle funny, horny, heartbroken, and then particularly touching in the scene where Leela and he must reach a compromise for their clans. Deepika and Ranveer scorch up the screen in their romantic scenes, their intense passion a bold change from Bollywood\u2019s mostly tame embraces.<\/p>\n

In the end it is Bhansali \u2013 credited for screenplay, editing, music, and direction \u2013 who leaves his stamp all over the film. He brings great style and aesthetic to an unapologetically commercial film, which I\u2019m happy to say is far more engaging than the lazy blockbusters we\u2019ve seen lately. I\u2019m going with three-and-a-half out of five for Ram Leela<\/i>. It\u2019s great fun \u2013 not the word you\u2019d normally associate with a Sanjay Leela Bhansali film.<\/p>\n

Link<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Rating: November 15, 2013 Cast: Ranveer Singh, Deepika Padukone, Supriya Pathak, Richa Chaddha, Gulshan Devaiah, Barkha Bisht, Abhimanyu Singh Director: Sanjay Leela Bhansali Cut off from the world, tucked away somewhere in Gujarat, a fictional small town named Ranjaar is a battleground of sorts for the eons-old enmity between the Rajadi and the Sanera mob clans. But even with guns […]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5231,5],"tags":[65,74,2077,156,6202,126],"_links":{"self":[{"href":"https:\/\/tanqeed.com\/wp-json\/wp\/v2\/posts\/21285"}],"collection":[{"href":"https:\/\/tanqeed.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tanqeed.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tanqeed.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/tanqeed.com\/wp-json\/wp\/v2\/comments?post=21285"}],"version-history":[{"count":0,"href":"https:\/\/tanqeed.com\/wp-json\/wp\/v2\/posts\/21285\/revisions"}],"wp:attachment":[{"href":"https:\/\/tanqeed.com\/wp-json\/wp\/v2\/media?parent=21285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tanqeed.com\/wp-json\/wp\/v2\/categories?post=21285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tanqeed.com\/wp-json\/wp\/v2\/tags?post=21285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}