Tag Archives: Rajeev Masand

Finding Shimit Amin – Rajeev Masand’s Gossip Column


Few newcomers are trusted with double roles so early in their career, but Arjun Kapoor was fortunate to land one in his second release.

Shimit Amin, the reclusive director of such terrific films as Ab Tak Chappan, Chak De! India and Rocket Singh: Salesman of the Year, has been keeping an unusually low profile even by his own standards. Rocket Singh, from the year 2009, may have got a thumbs up from critics, but earned a pittance at the box-office, and Shimit hasn’t returned to direction since. Instead, he spent close to two years working with Mira Nair as editor on The Reluctant Fundamentalist, and Mira describes his contribution to her film as “a wonderful gift”.

Now, it turns out, Mira will return the favour. The buzz is that Nair and Yash Raj Films honcho Aditya Chopra will co-produce Shimit’s next directorial venture. The script idea for this film was apparently planted in Shimit’s head by Mira herself while they were working together on The Reluctant Fundamentalist.

Industry insiders say Shimit’s hiatus from Bollywood amounts to “career suicide”, given that he’s an A-list director with whom big stars willingly work. But while he may have stayed out of the spotlight these four years since Rocket Singh, one learns that he wasn’t idling away his time. Having recently formed a production outfit with his wife Megha Ramaswamy, he’s put his strength behind a small female-centric project titled Girls, which is being directed by a close friend of the missus.

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Let’s Not Ask Her Screen Age – Rajeev Masand’s Gossip Column


Deepika Padukone told me she got quite an earful from Ayan on the first day of shoot when she “jokingly” made a comment that he didn’t appreciate.

Aditya Chopra has given Katrina Kaif three of her biggest films —Ek Tha Tiger (opposite Salman Khan, a bonafide blockbuster), Jab Tak Hai Jaan (opposite Shah Rukh Khan, another blockbuster), and the forthcoming Aamir Khan-vehicle Dhoom 3 (a surefire firecracker)—yet the actress turned down Gunday (which Aditya was reportedly keen that she star in) so she could work with Hrithik Roshan in Siddharth Anand’s Knight & Day remake, Bang Bang, instead.

Priyanka Chopra slipped into Gunday instead, earning brownie points with the producer. And Bang Bang, whose shooting dates originally clashed with Gunday, has been endlessly delayed, with filming only likely to start in June now.

Industry pundits are saying Katrina is no longer in Aditya’s ‘good books’, and she might have shot herself in the foot by turning down Gunday, where she would have been cast opposite younger heroes Ranveer Singh and Arjun Kapoor. “Working so frequently with the Khans and with Hrithik, her ‘screen age’ has become considerably more than her real age. Unlike Deepika and Anushka, Katrina doesn’t have films opposite younger actors like Ranbir, Imran and Shahid. It wouldn’t have hurt to do a film that would bring down her screen age,” explains a respected film producer.

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Go Goa Gone Movie Review by Rajeev Masand



Rating: 3

May 10, 2013

Cast: Kunal Khemu, Vir Das, Anand Tiwari, Puja Gupta, Saif Ali Khan

Directors: Krishna DK & Raj Nidimoru

Go Goa Gone has been advertised as India’s first zom-com, or a comedy about zombies. The film, starring Kunal Khemu, Vir Das, and Anand Tiwari as three best friends stranded on an island infested with flesh-eating zombies, works like magic when directors Krishna DK and Raj Nidimoru focus on their three leads and the irreverent banter between them. But, working off a slim plot, the filmmakers don’t really know where to take the story after a point, and end up turning the film’s entire second half into a lazy cat-and-mouse chase between man and monster.

Channeling an unfiltered, sexually charged humor reminiscent of Delhi Belly, the film introduces us to permanently stoned Hardik (Khemu) and Luv (Das), who never leave their couch unless they absolutely have to. Stuck in jobs they have no interest in, their love and sex lives going nowhere, the two fellas decide to tag along when their straight-arrow roommate, Bunny (Tiwari), heads to Goa on a work assignment.

The morning after a rave at a nearby island, an exclusive Russian drug that our heroes were too broke to buy has turned most partygoers into the walking dead.

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Gippi Movie Review by Rajeev Masand



Rating: 2

May 10, 2013

Cast: Riya Vij, Divya Dutta, Taaha Shah, Doorva Tripathi, Arbaaz Kadwani, Pankaj Dheer

Director: Sonam Nair

School can be a difficult place if you’re overweight, awkward, not particularly bright, or clumsy on the sports field. Gurpreet Kaur, the 14-year-old protagonist of Gippi (Riya Vij), ticks all the boxes. She’s routinely taunted by the mean girl in class, ignored by all the popular kids, and can barely squeeze into her uniform. An unlikely friendship with the school jock (Taaha Shah) ends embarrassingly for Gippi, and in a weak moment she even accepts a challenge to win the Head Girl elections.

Despite its promising premise, evocative of the quirky American comedy Napoleon Dynamite, writer-director Sonam Nair’s debut film hits rough patches because the writing is so derivative, few of the characters feel particularly original or interesting.

The key tragedy with the film is that while some of Nair’s ideas are progressive and strong, her execution seldom matches up. The film addresses puberty, menstruation and sex education, but these scenes never achieve a matter-of-fact, ‘normal’ tone. Instead Nair appears to be calling out to the viewer, demanding appreciation for her ‘mature’ choices.

It doesn’t help that the film’s misfit heroine never endears herself as an underdog worth rooting for.

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The Absentees – Rajeev Masand’s Gossip Column


A representative acting on behalf of Amisha has allegedly approached a handful of Mumbai designers asking them to come up with outfits that she can wear in Cannes

The producers of Bombay Talkies succeeded in cajoling as many as 20 prominent stars to appear in a music video that is being used to promote the film commemorating 100 years of Indian cinema. However, one star conspicuous by his absence in the video is Salman Khan. Gossip mongers insist that the star turned down the producers’ request because he didn’t want to be a part of any project that Shah Rukh Khan was also involved in, but a source close to the actor reveals that Salman just didn’t have the time or the interest. “Bhai didn’t see why he needed to do this. He’s not acting in the film. He isn’t particularly close to the directors of the film. They weren’t offering any compensation in return for making an appearance.”

Also missing from the video are all of the Bachchans. Neither Amitabh, nor Abhishek or Aishwarya are to be seen in the video that features, among others, Aamir Khan, Shah Rukh, Ranbir Kapoor, Akshay Kumar, Madhuri Dixit, Sridevi, Vidya Balan and Priyanka Chopra. Word has it the Bachchans were travelling and couldn’t make it “despite being relentlessly pursued to spare a few hours”.

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One for the Self-Help Book

Amisha Patel—she of the giant hoardings and print campaigns advertising an eyewear brand that doesn’t exist!—wants you to know that she’s going to Cannes.

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Shootout At Wadala Movie Review by Rajeev Masand



Rating: 2

May 03, 2013

Cast: John Abraham, Anil Kapoor, Tusshar Kapoor, Manoj Bajpai, Sonu Sood, Ronit Roy, Mahesh Manjrekar, Siddhant Kapoor, Kangana Ranaut

Director: Sanjay Gupta

A gangster runs into a police station, both his arms lopped off by a rival wielding a butcher’s knife. Another goon is held down as his skull is pushed through an ice-crusher. A third, tied to a chair, is run over by a speeding car in reverse. The brutality is relentless in Sanjay Gupta’s Shootout at Wadala, a saga about the rise and fall of dreaded Mumbai gangster Manya Surve (John Abraham) in the 1970s, and his subsequent death in 1982 in what was reportedly the first police encounter.

Based on a chapter in S Hussain Zaidi’s book From Dongri To Dubai, the film nevertheless conveniently insists that it be viewed “as a hybrid between fact and fiction”. This means that while the story is rooted in Manya Surve’s journey from an innocent, bright college student to one of the city’s most powerful mafia dons, Shootout at Wadala is a pot pourri of stomach-churning slashing and shooting, writhing item girls, and lewd dialogue. In fact, Gupta infuses so much violence and sex into this tale that it hits the G-Spot – and by this, I mean, gratuitous.

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Bombay Talkies Movie Review by Rajeev Masand



Rating: 3.5

May 03, 2013

Cast: Rani Mukherjee, Randeep Hooda, Saqib Saleem, Nawazuddin Siddiqui, Naman Jain, Ranvir Shorey, Vineet Kumar, Amitabh Bachchan

Dirs: Karan Johar, Dibakar Banerjee, Zoya Akhtar & Anurag Kashyap

Two men shift nervously, seldom making eye contact, as they listen to a beggar girl at a railway station footbridge singing an old Lata Mangeshkar gem whose words seem to have particular significance in their unlikely situation. A father, determined to enthrall his bored daughter, narrates a story in mime, his energy palpable, his excitement contagious. A little boy, attired in his sister’s dress and his mother’s make-up and heels, shakes his hips to the beats of a popular dance number, blissfully naïve to the likely reaction of his family. And a young out-of-towner is reduced to tears as he pleads earnestly to the security guards manning the gates of a superstar’s home for one meeting with the legend. It’s these images that linger in your mind long after you’ve watched Bombay Talkies, a charming omnibus of four short films that celebrate the centenary year of Indian cinema.

The stories, each roughly thirty minutes in duration, have no common link, except for a shared love and celebration of the movies.

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A Film With the Kapoor Cousins – Rajeev Masand’s Column


 Tabu has always insisted that she’d much rather stay at home, her nose buried in books, than spend her days on movie sets where she doesn’t feel challenged.

Soon after returning from Cannes where she will attend an out-of-competition gala screening of Bombay Talkies, the portmanteau film she’s directed a 27-minute segment for, Zoya Akhtar is likely to finally wrap up the script of her next feature in which she hopes to cast Ranbir Kapoor and Kareena Kapoor. Akhtar has reportedly been working tirelessly with her writing partner (and Taalash director) Reema Kagti on this script, while still managing to squeeze in short Goa holidays every few months.

According to sources close to Kareena Kapoor, the actress has been “hounding” Zoya to finalise the script so that they can dive into the film “right away”. Ranbir, meanwhile, who is committed to completing Abhinav Kashyap’s Besharam before starting to shoot Anurag Kashyap’s Bombay Velvet, also has projects with Imtiaz Ali and Anurag Basu lined up. Still, he is believed to have “reacted very positively” when Zoya first narrated the germ of the idea, and has apparently asked her to bring him the finished script when it is done.

Zoya’s project, which could be the first to star the two cousins together, is apparently an ensemble piece with a large cast. She is aware that getting Ranbir and Kareena on board is only the first hurdle; the second is coordinating their dates with those of the “massive” supporting cast she has lined up.

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The Bombay Talkies Roundtable with Rajeev Masand



Part 2 below

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New Beginnings with Old Friends – Rajeev Masand’s Gossip Column


Ranbir Kapoor and Katrina Kaif no longer seem to be trying to hide the fact that they are a couple.

Harman Baweja (remember him?), who hasn’t had a release since 2009’s colossal dud What’s Your Raashee?, was spotted partying in Vancouver recently during a Bollywood awards ceremony. The actor, who has dated Priyanka Chopra and Shamita Shetty and is now reportedly seeing Bipasha Basu, was noticed chatting up pretty locals and happily posing for pictures with star-struck fans. Bipasha was in London while her beau made the most of his Canadian vacation.

Since her break-up with John Abraham two years ago, Bipasha has admitted that she’s been dating frequently, and actors like Shahid Kapoor, Harman and Hollywood’s Josh Hartnett are some of the men she has been linked to. It is also a well-known fact that Bipasha has renewed her friendship with exes Milind Soman and Dino Morea, who her friends say she was categorically asked to “stay far away from” while she was with John.

Speaking of Dino Morea, he is believed to have signed up for—wait for it—a theatre acting course in Delhi. Too little too late? Dino has apparently told friends that he is taking a three-month break from “the scene” to “recharge my batteries”. He successfully transitioned last year into a producer with Jism 2, on which he had Pooja Bhatt as his partner.

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Ek Thi Daayan Movie Review By Rajeev Masand



Rating: 2

April 19. 2013

Cast: Emraan Hashmi, Konkona Sen Sharma, Kalki Koechlin, Huma Qureshi, Pavan Malhotra, Vishesh Tiwari

Director: Kannan Iyer

A very different beast from Makdee, his charming directorial debut from eleven years ago, Ek Thi Daayan, co-written and co-produced by Vishal Bhardwaj, sees the filmmaker revisit the mythology of witches once again. But where Makdee was an old-fashioned fable about a village witch who supposedly turned humans into animals, Daayan, set in the modern, urban world, is intended as an eerie supernatural thriller.

First-time director Kannan Iyer sets up the film nicely, introducing us to our protagonist Bobo (Emraan Hashmi), who appears to have everything…a successful career as a magician, a supportive fiancée, Tamra (Huma Qureshi), and even a young boy they have chosen to adopt. Yet, Bobo is haunted by hallucinations of his dead sister. When he delves into his past through hypnosis, he must confront his memories of the mysterious woman, Diana (Konkona Sen Sharma), who was hired to babysit his sister and him as kids.

Iyer does a good job of conveying the curious, suspicious nature of an eleven-year-old obsessed with the idea of the dark side. When Diana enters their lives, all young Bobo needs is a clue to confirm his theory, and Konkona plays up the intrigue deliciously.

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A Shirtless Hunk’s Fear of Flying Low – Rajeev Masand’s Gossip Column


It was a poignant moment at a Bollywood awards ceremony in Vancouver last week when Priyanka Chopra dedicated her Best Actress award to her father and requested that he accept the trophy with her.

Oozing confidence about his performance as Mumbai gangster Manya Surve in director Sanjay Gupta’s Shootout At Wadala, John Abraham insists that the film will force the audience to see him in a new light. The actor has revealed he’s shirtless only in one scene of the film and “the focus is purely on the acting”.

Not allergic to appearing in multi-starrer films (his biggest box-office hits, Houseful 2 and Race 2, were both ensemble projects), John has reportedly signed on to feature in another star-heavy sequel—Anees Bazmee’s Welcome 2. Which is why it makes no sense that he’d turn down Farah Khan’s Happy New Year with Shah Rukh Khan and Abhishek Bachchan.

“Farah and Shah Rukh saw me in a particular part, but I couldn’t see myself in that role,” John told me last week. “I’m grateful and touched that they thought of me, but I didn’t think I suited the role at all,” he added. The film is believed to be a musical comedy about a group of friends with two left feet who participate in a championship for the worst dancers ever. Farah is apparently still in the process of casting three male parts as well as the female lead.

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