Tag Archives: Karan Johar

Sizzle After the Fizzle – Rajeev Masand’s Gossip Column


According to an eyewitness, Salman asked Aseem not to change lenses for each set up, and instead offered to change his own position for each different magnification.

With Yeh Jawaani Hai Deewani having hit bullseye at the box-office despite tepid reviews, the film industry is already keen to pair Ranbir Kapoor and Deepika Padukone together on screen again. The actors, who hadn’t been cast opposite each other since Bachna Ae Haseeno in 2008 (possibly because of their infamous real-life break up), shared a scorching chemistry in Yeh Jawaani… and it’s no surprise that greedy producers want to cash in on that.

An Imtiaz Ali project starring Ranbir that was reportedly shopping around for a female lead may now have its casting sorted, sources say. There are also murmurs that Karan Johar—who couldn’t decide who, between Katrina Kaif and Anushka Sharma, would be better suited to star opposite Ranbir—may now be eyeing Deepika for his own directorial venture: an elaborate Partition-set period romance with a large ensemble cast.

The two young actors themselves are not unaware that their chemistry has gotten the industry excited, and they’ve apparently decided they won’t just accept every offer that comes their way. Deepika, who has recently wrapped Chennai Express with Shah Rukh Khan, and is currently filming Sanjay Leela Bhansali’s Ram Leela with boyfriend Ranveer Singh, has told friends that she and Ranbir will work together “sparingly” but only on “special movies”.

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Blast from the Past: Karan Johar Filmfare Interview from 2002


Today is Karan Johar’s birthday. So check out his Filmfare Interview from November 2002.

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Karan Johar, Randeep Hooda, Saqib Saleem, Onir, Sridhar Rangayan on The Front Row with Anupuma Chopra



Part 2 below

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Gippi Movie Review by Taran Adarsh


3.5

TAARE ZAMEEN PAR. STANLEY KA DABBA. CHILLAR PARTY… Several prominent film-makers have made films that transport you to your early days. Now Karan Johar takes you back to your teenage years with GIPPI, directed by first-timer Sonam Nair. While this is Karan/Dharma’s first film with a lady director, it also marks the production house’s foray at narrating a story minus ‘stars’. The focus, obviously, is on kids here, but let me add in the same breath, the confidence that these kids emanate easily equals most skilled actors of our times.

We’re often asked, which have been the best years of our lives? As one reflects on the years gone by, one realizes that the years spent in school were the best, for sure. Of course, one didn’t value it as much then, but the truth dawns upon you in the latter years of life. GIPPI takes a leaf out of our lives to recount an account that one can relate to.

Frankly, Gippi’s could be yours, mine, anybody’s story. Many of us go through a phase that’s between teens and adulthood. Films like GIPPI talk to every parent, every child since kids, generally, at that age, don’t know how to deal with situations and challenges that life throws at them.

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Bombay Talkies Movie Review by Rajeev Masand



Rating: 3.5

May 03, 2013

Cast: Rani Mukherjee, Randeep Hooda, Saqib Saleem, Nawazuddin Siddiqui, Naman Jain, Ranvir Shorey, Vineet Kumar, Amitabh Bachchan

Dirs: Karan Johar, Dibakar Banerjee, Zoya Akhtar & Anurag Kashyap

Two men shift nervously, seldom making eye contact, as they listen to a beggar girl at a railway station footbridge singing an old Lata Mangeshkar gem whose words seem to have particular significance in their unlikely situation. A father, determined to enthrall his bored daughter, narrates a story in mime, his energy palpable, his excitement contagious. A little boy, attired in his sister’s dress and his mother’s make-up and heels, shakes his hips to the beats of a popular dance number, blissfully naïve to the likely reaction of his family. And a young out-of-towner is reduced to tears as he pleads earnestly to the security guards manning the gates of a superstar’s home for one meeting with the legend. It’s these images that linger in your mind long after you’ve watched Bombay Talkies, a charming omnibus of four short films that celebrate the centenary year of Indian cinema.

The stories, each roughly thirty minutes in duration, have no common link, except for a shared love and celebration of the movies.

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Shootout At Wadala and Bombay Talkies Public Reviews



More Public Reviews below

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Shootout At Wadala and Bombay Talkies Boxoffice Collections Thread


Shootout At Wadala Has Good Opening Bombay Talkies Is Poor

Friday 3rd May 2013 11.30 IST
Boxofficeindia.Com Trade Network

Shootout At Wadala had a good opening at most places with collections around the 65% mark on average. The film opened better in places like CP Berar, Maharashtra and Nizam probably due to action and due to the fact gangster films have a larger audience for these films. The opening in the North was also pretty good taking into account it is more of a Mumbai circuit film.

The film should notch up healthy first day collections despite it not having a big star although there are plenty of known faces in the film but non of these are crowd pullers. The film has been released on around 2500 screens across India making it third biggest release of 2013 after Himmatwala and Race 2 but both those films went to to 3000 plus.

Bombay Talkies opened to a poor 15-20% response and this also only came as the film is restricted to a limited release with just 3-4 shows at the better multiplexes of major cities. The film will have low collections as opening is low and screenings are limited.

Chhota Bheem And The Throne Of Bali also opened poorly but being a film for children it is more about Saturday and Sunday business.

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Bombay Talkies Movie Review by Taran Adarsh


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It’s a fact… Cinema and cricket are pursued with religious fervor in India. Cinema connects us. Cinema unites us. Cinema is indeed the predominant influence on our lives. Cinema is, without doubt, an integral part of every movie lover… Indian cinema, which completes its 100th year this year [RAJA HARISHCHANDRA, the first full-length feature-film made by Dadasaheb Phalke, was released in 1913], ought to be commemorated. What better way than four avant garde film-makers combining forces to pay respect to cinema — Karan Johar, Zoya Akhtar, Dibakar Banerjee and Anurag Kashyap. Backed by Viacom18, the four prolific film-makers set out to narrate stories that are unconventional, borrowed from real life, about the common man. Also, each of those stories has a reference to Indian cinema/stars.

The four stories in BOMBAY TALKIES — made at a stipulated budget of Rs 1.5 cr each, the duration not exceeding 20/25 minutes — are entwined in one film. Of course, experiments like this, when one or multiple raconteurs join hands to narrate distinctive stories, aren’t new. Recall DARNA MANA HAI [2003; Prawaal Raman narrated a series of six stories in one film], DARNA ZAROORI HAI [2006; seven directors narrating seven different stories], SALAAM-E-ISHQ [2007; six love stories helmed by Nikhil Advani] and DUS KAHANIYAAN [2007; ten stories narrated by six directors]…

A film like BOMBAY TALKIES gives an opportunity to film-makers to step out of their comfort zone and try to create something novel.

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The Bombay Talkies Roundtable with Rajeev Masand



Part 2 below

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Akkad Bakkad Song – Bombay Talkies



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Give It Up For Bachchan Song – Bombay Talkies



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We Are Like This Only Song – Gippi



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