Tag Archives: Arshad Warsi

Boman Irani and Arshad Warsi Interview on The Front Row with Anupama Chopra



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Shalu’s Review of Jolly LLB


The most disappointing kind of film is one you really want to like – for its earnestness, its noble intentions, its sincere actors – but are not able to. Director Subhash Kapoor’s earlier film Phas Gaye Re Obama was a gem of a satire. Jolly LLB doesn’t even come close to the brilliance of that one.

Struggling lawyer Jagdish Tyagi aka Jolly (Arshad Warsi) moves to Delhi from Meerut for better opportunities but soon realises that things are as bleak as they were back home. Impressed by the high-profile advocate Rajpal (Boman Irani) and desperate to make things happen in his life, he files a PIL that is guaranteed to get him the media spotlight. It starts out as a publicity stunt but slowly turns into a life-changing decision for him. Encouraged by his girlfriend Sandhya (Amrita Rao), Jolly develops a conscience and decides to fight for justice.

A satire has to be genuinely funny to make an impact and that is where Jolly LLB fails. It does have a few moments of brilliance but they are overshadowed by the predictable and mostly boring narrative. Jolly’s change of heart lacks gravitas, the way he keeps getting leads and help is too convenient, and the ease with which good triumphs over evil is just laughable.

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Jolly LLB Movie Review by Rajeev Masand


'Jolly LLB' review: The film's not a bad way to spend the evening

Well-intentioned but inconsistent, ‘Jolly LLB’, directed by Subhash Kapoor, blends elements of a satire, a thriller, and a courtroom procedural in this intriguing story inspired by the events of the Sanjeev Nanda hit-and-run case of 1999. Kapoor makes some relevant points about society’s apathy towards the poor, the loopholes in our judicial system, and the ease with which the rich often manipulate the truth. But he adopts an over-simplistic approach to the material that is often in conflict with this otherwise promising film.

Meerut-bred Jagdish Tyagi, or Jolly (Arshad Warsi), is only seeking some publicity when he stands up against legal heavyweight Tejinder Rajpal (Boman Irani) who is defending the accused. But his conscience is stirred by his fiancee (Amrita Rao), who eggs him on to fight for the truth. Rajpal, whose defense is built around a bunch of lies and a botched-up police investigation, resorts to everything from bribery to physical assault to scare off Jolly from pursuing the case.

Positioned as a David vs Goliath clash, the film benefits from some fiery courtroom exchanges between its two leads and Saurabh Shukla playing the seasoned judge. Director Subhash Kapoor tackles these scenes with just the right balance of humor and histrionics, but gets carried away by his tendency to pack in too much all at once.

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Jolly LLB Public Reviews



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Jolly L.L.B. Movie Review by Taran Adarsh


A little over two years after he delivered PHAS GAYE RE OBAMA, a distinctive account highlighting the ramifications of slump and recession, Subhash Kapoor returns with yet another film that highlights a reality. But before I proceed to review the film, I need to clear a misconception. A lot of you may assume that JOLLY LLB is a hardcore comic entertainer [at least I was led to believe that, thanks to its promos and publicity material]. But, in actuality, it’s *not* a comic fare in entirety. It’s a serious fare [with some humor interlaced in its screenplay in the initial half], inspired by a real-life hit and run case that made front-page news.

Come to think of it, very few movies can claim to make you laugh at the right places, yet mirror the realities that plague the nation concurrently. JOLLY LLB walks the thin line wonderfully. The on-screen characters seem straight out of everyday life and if I am not mistaken, this is, perhaps, the first Hindi movie that finds humor within the confines of a courtroom, besides presenting a captivating courtroom drama so effectively.

JOLLY LLB works for yet another reason: It’s a fascinating account of an underdog who locks horns with a much-senior, much-powerful and much-influential lawyer and emerges triumphant, after facing a lot of hardships.

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Ajnabi Ban Jaye Song – Jolly LLB



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Daru Peeke Nachna Song – Jolly LLB



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Kai Po Che and Zilla Ghaziabad Boxoffice Collections Thread


Kai Po Che Decent Opening Zilla Ghaziabad Dull Opening

Friday 22nd February 2013 12.30 IST

Boxofficeindia.Com Trade Network

Koi Po Che had a decent opening of around 40-45% while Zilla Ghaziabad was dull across the board with around 20% Kai Po Che was helped by good collections in the premium multiplex areas of Mumbai, Pune and Delhi NCR though some other parts of the country like UP and Punjab were low. The film had no face value but the promotion created awareness especially in the big cities where collections are much better.

Zilla Ghaziabad was dull in the morning and stands no chance at the box office as a film like Kai Po Che can improve as the day goes along but Zilla Ghaziabad being an action film has limited upside.

Both films have Hollywood release A Good Day To Die Hard for competition which also did not open well apart from a few centres in East Punjab where there is the novelty of the film being dubbed in Punjabi for the first time.

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Zila Ghaziabad Public Reviews



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Zila Ghaziabad Movie Review by Taran Adarsh


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Get set for trigger-happy gangs. Wild with vendetta, the guys go on a rampage — slitting throats, pumping bullets, the goons bash up rival gang members like we swat flies, fling daggers and knives, explode bombs… Truly, the men are mean, nasty and short-tempered…

Welcome to ZILA GHAZIABAD, which borrows heavily from Vishal Bhardwaj’s OMKARA, Abhinav Kashyap’s DABANGG and also from the cinema of 1970s and 1980s. Nothing wrong with borrowing/seeking inspiration from the cinema of yore, or movies that have tremendous recall value, but the fact is that the premise of ZILA GHAZIABAD is thinner than wafer, with the movie constantly giving you the feeling of déjà vu. The silver lining is that everything unravels at a feverish pace, with a couple of dramatic moments camouflaging the deficiencies. Also, Arshad Warsi’s wickedness makes the good versus evil fight look credible at times.

ZILA GHAZIABAD is based on the war between two rival groups, led by Paresh Rawal and Ravi Kissen, respectively. Arshad Warsi crosses over from Paresh’s group to Ravi Kissen’s faction, while Vivek Oberoi is forced to take to violence and indulge in bloodshed when Arshad kills his elder brother [Chandrachur Singh].The battle lines are drawn… The administration decides to send a brawny cop, Sanjay Dutt, to put an end to the gang wars and restore peace in Ghaziabad.

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Jhooth Boliya Song – Jolly LLB



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Chhamiya No 1 Song – Zila Ghaziabad



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